Otis Singleton
The cast of Breakin' 2: Electric Boogaloo has gone on to varying levels of success following the film's release in 1984. Lucinda Dickey, who played Kelly, has had a successful career, appearing in other films such as Ninja III: The Domination and Cheerleader Camp. Adolfo Quinones, who played Ozone, and Michael Chambers, who played Turbo, were both breakdancers and have likely continued to pursue their passion for dance. The film also featured Susie Coelho, who played Kelly's rival, Rhonda. Coelho is known for her previous marriage to singer Sonny Bono. While the film received mostly negative reviews, it has developed a cult following, with fans appreciating its focus on dancing and mindless entertainment.
| Characteristics | Values |
|---|---|
| Title | Breakin' 2: Electric Boogaloo |
| Genre | Comedy, Drama, Musical |
| IMDb Rating | 5.2 |
| Release Date | 1984 |
| Runtime | 1h 34m |
| Rating | PG |
| Director | Sam Firstenberg |
| Producers | Pieter Jan Brugge, Yoram Globus, Menahem Golan |
| Screenplay | Jan Ventura, Julie Reichert |
| Cinematography | Hanania Baer |
| Cast | Lucinda Dickey, Adolfo Quinones, Michael Chambers, Susie Coelho, Harry Caesar, Jo de Winter, John Christy Ewing, Steve Notario, Sabrina García |
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What You'll Learn
Lucinda Dickey
Following her role in Breakin' 2: Electric Boogaloo, Dickey appeared in the 1988 horror film Cheerleader Camp, playing the role of the mascot. Her last onscreen acting role was in the 1990 Perry Mason television movie, Perry Mason: The Case of the Defiant Daughter.
Dickey retired from acting in 1990 and has since led a quiet life away from the public eye. She currently resides in California with her husband, Craig Piligian, a co-executive producer of the reality TV game show Survivor, among other shows.
In 2008, Dickey made a brief return to the entertainment industry as a dance judge on TLC's Master of Dance series. This marked her most recent appearance in the public eye, showcasing her continued involvement in the world of dance and entertainment, even after stepping away from acting.
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Adolfo 'Shabba-Doo' Quinones
Adolfo "Shabba-Doo" Quinones was an American actor, break dancer, and choreographer. Quinones was born on May 11, 1955, and passed away on December 29, 2020, at the age of 65. He was of African-American and Puerto Rican descent and was raised in Chicago, Illinois, by his mother, Ruth (McDaniel) Quiñones, a single parent, from the age of three. He had a younger sister, Fawn Quiñones, who was also a dancer and frequently appeared on the musical variety television program Soul Train.
In the 1970s, Quinones moved to Los Angeles with his family, where he discovered his passion for dancing and began performing in nightclubs. He adopted the stage name Shabba-Doo, derived from his previous nickname Shabba-Dabba-Do-Bop. He joined the dance group The Lockers, who were known for popularizing the locking style of street dance. Quinones was also an original member of the Soul Train Gang in the 1970s and early 1980s.
Quinones made his acting debut in 1984, playing one of the lead characters in the breakdancing-themed musical film Breakin'. The film was a commercial success, and it led to a sequel, Breakin' 2: Electric Boogaloo, in the same year. Despite receiving mostly negative reviews from critics, Electric Boogaloo grossed $15.1 million at the box office, more than triple its budget. Quinones' character, Ozone, was a street dancer and friend of the main character, Kelly (played by Lucinda Dickey).
Following his role in Electric Boogaloo, Quinones continued to act and choreograph for both film and television. He choreographed performances for musical artists such as Lionel Richie, Madonna, and Luther Vandross, Three Six Mafia, Chaka Khan, and Jamie Kennedy. He also served as the associate choreographer and lead dancer at the 78th Annual Academy Awards. In addition to his work in choreography, Quinones was working on several projects before his death, including a theatrical feature dance film, a reality-dance competition TV series, and a reality series focused on global dance.
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Michael 'Boogaloo Shrimp' Chambers
Michael "Boogaloo Shrimp" Chambers is an American dancer and actor, best known for his role as Turbo in the 1984 film "Breakin'" and its sequel, "Breakin' 2: Electric Boogaloo". Chambers was born in Wilmington, California, on November 13, 1967, and began his dance career at a young age, performing for money at Redondo Beach, California. His unique style of dance was influenced by fantasy and sci-fi television shows, as well as the Samoan American dance group Blue City Strutters.
Chambers' early appearances included television commercials and music videos for artists such as Lionel Richie, Chaka Khan, and The Gap Band. He also worked closely with Michael Jackson, helping to develop the singer's signature solo moves. In addition to his dancing, Chambers has also pursued acting, with credits in the "Breakin'" film series and appearances in music videos for artists like Paula Abdul and Stacey Q.
In the 1990s, Chambers transitioned into television, working as an announcer on the children's show "Fun House" from 1990 to 1991. He also continued to appear in music videos, such as Sugar Ray's "Fly" in 1997, showcasing his breakdancing skills. Chambers has been invited as a speaker to several institutions, including USC's Thorton School of Music and Santa Monica College.
As of 2020, Chambers is working on releasing a website, as well as music and YouTube pages, featuring original footage from his early career. He also has an Instagram account with 15,000 followers, where he shares photos and videos with his fans. A documentary about Chambers, titled "The Story Of Breakin' From The Streets To Electric Boogaloo", was released in 2019, providing an in-depth look at his career and experiences working with Michael Jackson.
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Susie Coelho
In addition to modelling, Coelho worked as an actress and entertainment reporter. In 1982, she played an art teacher in the film Breakin' 2: Electric Boogaloo. The following year, she travelled to India as a journalist to interview Phoolan Devi, known as "The Bandit Queen" of Central India. Coelho is also known for her acting work in Police Story (1973), The Six Million Dollar Man (1974), and The Norseman (1978).
In 1981, Coelho married Sonny Bono, with whom she had been in a relationship since the mid-1970s. The couple divorced in 1984. She later married Robert Rounds, with whom she has two children.
In addition to her work in front of the camera, Coelho has also found success as an entrepreneur. She co-founded the restaurant Bono's in Hollywood, along with the fashion boutique A Star is Worn. In 1997, she founded Susie Coelho Enterprises, Inc., and has since designed furnishings and accessories for retail brands, including Mervyn's, Grandin Road, and QVC. In 2019, Coelho founded House of Sussex, a fashion accessories brand that collaborates with artists to create unique backpacks, jewellery, and other accessories. Her pieces have been displayed in museums, and she has also authored several books.
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John Christy Ewing
In Breakin' 2: Electric Boogaloo, John Christy Ewing plays the role of Kelly's father. Kelly (Lucinda Dickey) is a jazz dancer who is disappointed with her small part in the chorus line of a Los Angeles show. She quits and returns home, where her father, played by Ewing, disapproves of her friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers). Despite her father's wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.
Breakin' 2: Electric Boogaloo received mostly negative critical reviews, with a 29% positive rating on Rotten Tomatoes. However, New York Press film critic Armond White considered it "superb," and Roger Ebert gave the film a three-star rating. The film grossed $2,921,030 in its first five days in the United States and Canada and ultimately made a total of $15.1 million, more than triple its budget.
The film is known for its street dancing, likeable cast, and entertaining storyline. While the acting and predictability of the plot were criticized, the film captures the fun and fashion of the 1980s, including leg warmers, fluorescent socks, and shorts over trousers. The dance numbers, including a breathtakingly ridiculous hospital scene, showcase the talented dancers of the era.
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